The addition of 215 alternates and 10 ornaments allows for a wide variety of looks, the use of contextual alternates keeps it looking ideal and enabling Stylistic Alternates switches the design to an unconnected script for a more informal appearance. Instead of attempting a consistent contrast, I put a little more emphasis on the bottom part of the stroke to keep the look lively, playful and a bit retro. The curvy stems on the letters a, g, u, for example, was a result of looping the brush around to create the down-stroke rather than lifting the brush off of the surface to join two strokes together. While creating the lettering for Rosarian, interesting forms came to life through the manipulation of the brush. In the start, the designer sketched this font instead of using a brush to create it. It has a thick and round shape that makes the design look captivating. Laura Worthington, a typeface designer, produced this font in 2016. The flexibility and broad range of styles that can spring forth from the brush is incredible, and this new design, Rosarian, was born from this experience. Milkshake Font is a thick script typeface that gives a friendly, readable, and clear design.
The lushness and sensuality of a brush can create thick and round shapes that quickly turn into hairline thin strokes with a flick of the wrist.
I absolutely love using a pointed brush for lettering.
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